The 1619 Project, launched by the New York Times, presents racism and racial conflict as the essential feature and driving force of American history.
In August, 2019, the New York Times launched its “1619 Project,” marking the 400th anniversary of the initial arrival of 20 African slaves at Point Comfort in Virginia, a British colony in North America.
The Times wrote that its project intended to “reframe the country’s history, understanding 1619 as our true founding, and placing the consequences of slavery and the contributions of black Americans at the very center of the story we tell ourselves about who we are.” It included not only a special magazine edition that was freely distributed in hundreds of thousands of copies to schools and museums nationally, but a proposed teaching curriculum for teachers to use in their classrooms.
Despite the pretense of establishing the United States’ “true” foundation, the 1619 Project is a politically motivated falsification of history. It presents and interprets American history entirely through the prism of race and racial conflict.
The World Socialist Web Site published detailed refutations of the numerous falsifications contained in the Times project, and interviewed leading historians of the United States.
It is all just a metaphor: The New York Times attempts yet another desperate defense of its discredited 1619 Project
In spite of Times editor Jake Silverstein’s deletion of the “true founding” claim and his other word changes, the Times’ essential position remains the same: The American Revolution was a retrograde event in which the defense of slavery was the primary motivation.
Following the publication of a highly critical essay by a New York Times columnist, the public statements issued by the publisher and leading editors reflect tensions provoked by the exposure of the 1619 Project’s falsification of history.
The Times has abandoned, without any public announcement or explanation, the central thesis that 1619, not 1776, was the “true founding” of the United States.
The disrespect expressed by editor Alex Lichtenstein toward leading historians reveals the extent to which racialist mythology, which has provided the “theoretical” foundation of middle-class identity politics, has been accepted, and even embraced, by a substantial section of the academic community as a legitimate basis for the teaching of American history.
The 1619 Project and the falsification of history: An analysis of the New York Times’ reply to five historians
New York Times Magazine editor Jake Silverstein, reviving discredited racialist distortions of the American Revolution and Civil War, refuses to correct historical errors in the 1619 Project.
There was not a single statement made by Hannah-Jones at NYU on historical issues that withstands serious examination.
Bynum is an expert on the attitude of Southern white yeomen farmers and the poor toward slavery.
“Opposition to slavery has also been an important theme in American history”
The World Socialist Web Site recently spoke to McPherson, professor emeritus of history at Princeton University, on the New York Times’ 1619 Project.
The World Socialist Web Site recently spoke to James Oakes, Distinguished Professor of History and Graduate School Humanities Professor at the Graduate Center of the City University of New York, on the New York Times’ 1619 Project.
“When the Declaration says that all men are created equal, that is no myth”
Gordon Wood is professor emeritus at Brown University and author of the Pulitzer Prize-winning book The Radicalism of the American Revolution, as well as Empire of Liberty: A History of the Early Republic, 1789–1815.
This is an edited version of a report delivered by Socialist Equality Party National Secretary Joseph Kishore to meetings in Michigan and California on the New York Times’ “1619 Project.”
The following is the second in a series of three lectures delivered in response to the New York Times’ “1619 Project,” which presents a falsified, racialist interpretation of American history.
This is the text of the lecture delivered by Tom Mackaman at the University of Michigan on October 22, 2019 as part of a series on the New York Times' "Project 1619."