Music Reviews

The death of saxophonist Clarence Clemons

By Hiram Lee, 22 June 2011

Clarence Clemons was the longtime saxophonist for Bruce Springsteen and the E Street Band.

Best known for “The Revolution Will Not Be Televised”

Musician and poet Gil Scott-Heron dead at 62

By Matthew Brennan, 11 June 2011

Gil Scott-Heron, the African-American poet and musician best known for his song “The Revolution Will Not Be Televised,” died May 27 at the age of 62.

Folksinger Hazel Dickens dies at 75

By Hiram Lee, 9 May 2011

Folksinger Hazel Dickens, who often sang about the struggles of coal miners in Appalachia, died April 22 in Washington, D.C.

The Juilliard Orchestra performs Mahler’s Ninth Symphony in New York City

By Fred Mazelis, 7 May 2011

A recent performance of Gustav Mahler’s Ninth Symphony, his last completed work in that form, highlighted the role of the Juilliard School in New York City’s classical music scene.

Rock band White Stripes breaks up: a look back

By Hiram Lee, 2 April 2011

After more than a decade together, the members of the rock band White Stripes have announced their break-up.

Country singer Charlie Louvin dead at 83

By Hiram Lee, 1 February 2011

Country singer Charlie Louvin, one half of the influential duo The Louvin Brothers, died on January 26 at the age of 83.

How I Got Over, the new album from The Roots

By Nikolai Barrickman and Hiram Lee, 19 January 2011

How I Got Over is the latest album from veteran hip hop group The Roots.

Don Van Vliet—“Captain Beefheart” (1941-2010): Avant-garde musician and painter

By Kevin Martinez, 12 January 2011

Of all the musical acts that came out of America and Britain in the late 1960s and early 1970s, none were more surreal and musically ambitious than Captain Beefheart and The Magic Band.

An interview with jazz and blues singer Mose Allison

By James Brewer, 29 December 2010

Renowned blues musician Mose Allison recently spoke to WSWS reporter James Brewer about his career and his music.

Connected, a 2004 collaboration between Dutch and US hip-hop musicians

By Nikolai Barrickman, 15 December 2010

A review of Connected, from hip-hop group The Foreign Exchange, an album regarded by many as an alternative rap “classic.”

The “cool little cluster” that is Mose Allison’s brain

By James Brewer, 22 November 2010

Jazz and blues artist Mose Allison’s musical career spans over fifty years. He is still well worth listening to.

National Ransom, Elvis Costello and Americana music

By Hiram Lee, 3 November 2010

Elvis Costello once again returns to traditional Americana music with his latest release, National Ransom.

Cleveland Orchestra players support striking DSO musicians

By Shannon Jones, 18 October 2010

Members of the Cleveland Orchestra are planning to join striking DSO musicians at an October 24 support concert.

Roger Waters’ The Wall Live tour: A comment from a reader

13 October 2010

Roger Waters, of Pink Floyd fame, is currently touring North America and Europe with The Wall Live. A reader discusses Water’s music and his evolution.

Splitting Image, the final album from Supastition

By Nikolai Barrickman, 17 September 2010

Splitting Image is the final album from underground rapper Kam Moye, more popularly known as Supastition.

Germany: Heinrich Heine in the “Marble Galgotha”

By Sybille Fuchs, 26 August 2010

In the last week of July, the celebrated German poet Heinrich Heine was bestowed a very dubious honour, as his bust was placed in the “Teutonic” Hall of Fame built by King Ludwig I of Bavaria, which Heine had himself ridiculed.

Jasmine, duet recordings from Keith Jarrett and Charlie Haden

By Hiram Lee, 24 August 2010

Jasmine, the new album from pianist Keith Jarrett and bassist Charlie Haden, reunites the two artists who had not recorded together for three decades for a moving album of standards and love songs.

Beyond Borders, but how far beyond?—An album by Soulstice and SBe

By Andrew Lawrence, 7 August 2010

Described as an international project from hip hop musicians in various countries, Beyond Borders by rapper Soulstice and producer SBe fails to live up to the claims.

Music review: Peter Wolf’s “Midnight Souvenirs”

By C.W. Rogers, 25 May 2010

“Midnight Souvenirs,” the latest album from Peter Wolf, is his seventh solo record since his days as front-man for the J. Geils Band and the first since 2002’s widely acclaimed “Sleepless.”

Singer, actress dead at 92

Lena Horne, 1917-2010

By John Andrews, 13 May 2010

Lena Horne’s death in a New York City hospital last Sunday, less than two months shy of her 93rd birthday, is an occasion not only to review her remarkable show business career, but also to consider the conditions during which that career unfolded.

Transference, the new album from Spoon

By Hiram Lee, 3 May 2010

Indie Rock band Spoon’s latest album Transference is a welcome addition to the group’s already impressive catalogue of recordings.

Music review: Yonder Is the Clock by the Felice Brothers

By Dwight Stoll, 5 April 2010

If the Felice Brothers’ album Yonder Is The Clock’s receiving the award for Country album of 2009 from the BBC came as a surprise, it was only because the group is hard to define as a country band.

In a visible voice: Alex Chilton (1950-2010)

By Hiram Lee, 24 March 2010

Alex Chilton, former lead singer of the Box Tops and Big Star, died on March 17 at the age of 59.

Jazz drummer Ed Thigpen dies at 79

By Jesse Werner, 10 February 2010

Jazz drummer Ed Thigpen, best known for his work with the Oscar Peterson Trio, died in mid-January at the age of 79.

Why is Sonic Youth’s The Eternal such a disappointment?

By Hiram Lee, 8 January 2010

The latest album from veteran rock group Sonic Youth is a disappointing work, the least interesting effort from the group since their much heralded return to form with 2002’s Murray Street.

Making the “voice of the people” heard again: 70 years of Topic Records

By Paul Bond, 10 November 2009

The British folk music record label Topic has recently published a 7-CD and book set, Three Score and Ten: A Voice to the People, to mark its 70th anniversary.

Music Review: The Monsters of Folk

By C.W. Rogers, 6 November 2009

The Monsters of Folk is a collaborative “supergroup” composed of Conner Oberst and multi-instrumentalist-producer Mike Mogis of Bright Eyes, Jim James of My Morning Jacket, and singer-songwriter M. Ward.

Mercedes Sosa, 1935-2009

By D. Lencho, 10 October 2009

Latin American music lost one of its greatest exponents with the death of Argentinean singer Mercedes Sosa last Sunday. The singer’s career, which spanned over five decades, came to fruition during one of the most critical periods in the continent’s history.


Les Paul: A legacy of ground-breaking musical invention

By Tony Cornwell, 19 August 2009

As well as being a beautiful player who never sacrificed musical ideas for flashy displays of technique, Les Paul was responsible for key advances in musical recording techniques.

Gurrumul: an evocative and unique musical contribution

By Tony Cornwell, 7 August 2009

The most remarkable feature of Gurrumul, the recent first album by Geoffrey Gurrumul Yunupingu, is this blind Australian indigenous singer’s extraordinary voice.

New York City Opera threatened by economic crisis

By Fred Mazelis, 9 July 2009

The crisis facing the New York City Opera says a great deal about the current state of so-called “high” culture, those sections of the performing arts that are not always or even mostly profitable.

The Michael Jackson memorial: A mostly tawdry affair

By David Walsh, 8 July 2009

A collection of performers, preachers and politicians entertained or addressed a crowd of some 20,000 people in the Staples Center for slightly more than two hours.

PJ Harvey and John Parish in concert

By Hiram Lee, 26 June 2009

PJ Harvey and John Parish recently gave a remarkable performance in Covington, Kentucky, while touring in support of their new album A Woman a Man Walked By.

A tribute to James Yancey: Volumes 5 and 6 of Madlib’s Beat Konducta series

By Hiram Lee, 12 May 2009

Hip hop musician Madlib pays tribute to fellow hip hop producer James Yancey, who passed away in 2006.

Renowned pianist Krystian Zimerman protests US militarism during concert

By Hiram Lee, 11 May 2009

Pianist Krystian Zimerman spoke out against US military activity in Poland and the Middle East during an April concert in Los Angeles.

“Shutting Detroit Down”: Country singer John Rich sings about the crisis, but also spreads confusion

By Hiram Lee, 22 April 2009

Country singer John Rich’s populist song “Shutting Down Detroit” takes on the Wall Street bailouts, mass layoffs and home foreclosures. At the same time, he hangs out in right-wing circles.

Akhnaten by Philip Glass, performed by the Atlanta Opera

By Kenny Crucial, 3 February 2009

Philip Glass ventured to the Emory University campus for a performance of his opera Akhnaten and to receive an award from the university. Glass was honored for both his musical output and his contribution to previous events at the school.

Anita O’Day: The Life of a Jazz Singer: Documentary on famed vocalist

By David Walsh and John Andrews, 27 January 2009

Robert Cavolina and Ian McCrudden’s documentary Anita O’Day: The Life of a Jazz Singer, about singer Anita O’Day, whose career spanned more than 50 years, presents a picture of an extraordinary woman: tough, resilient and enormously gifted.

A letter on cutbacks at the Detroit Symphony Orchestra

23 January 2009

Attending a recent performance of the Detroit Symphony Orchestra brought home the reality of proposed cutbacks in funding. It also pointed to the hazards of a situation in which arts groups are dependent on corporate largesse.

New York concerts examine “lost music” of twentieth century

By Fred Mazelis, 7 January 2009

Classical works by composers who died at the hands of the Nazis or who were forced into exile have been receiving increased attention. Conductor James Conlon has taken the lead in this project to rescue unjustly neglected or unknown work.

Jazz great Freddie Hubbard dies at 70

By John Andrews, 3 January 2009

Trumpeter Freddie Hubbard exploded onto the 1958 New York jazz scene at the age of 20. Over the next decade, he blew fiery “hard bop” with virtually all the greatest East Coast musicians and appeared on innumerable classic albums.

To the memory of Adrian Mitchell

By David Walsh, 24 December 2008

This is more of a personal response to the death of poet Adrian Mitchell December 20 than an informed, much less scholarly, commentary. My encounter with his works took place several decades ago.

30 years since the death of Jacques Brel: his life, his art, his legacy

By Louis Girard and Hiram Lee, 15 December 2008

On the 30th anniversary of his death, the World Socialist Web Site offers a critical appreciation of legendary French singer Jacques Brel.

The deaths of singers Miriam Makeba and Odetta

By D. Lencho, 13 December 2008

Two prominent vocal artists identified with the struggle against racial oppression—Miriam Makeba and Odetta—recently died within a few weeks of each other. They came of age and achieved fame in the 1950s and 1960s, decades of intense struggles.

Songs from a modern lover: Jonathan Richman at The Southgate House

By Hiram Lee, 4 November 2008

Jonathan Richman, formerly of The Modern Lovers, performed a remarkable set at Newport, Kentucky’s Southgate House.

Chicago 2008:The Lollapalooza and Pitchfork Music Festivals

Political and musical perspectives

By Kenny Crucial, 12 August 2008

Lollapalooza, August 1-3, Grant Park; The Pitchfork Music Festival, July 18-20, Union Park

Real Emotional Trash from Stephen Malkmus & The Jicks

By Hiram Lee, 21 July 2008

American singer, songwriter and guitarist Stephen Malkmus is approaching his twentieth year of making music. Best known as the lead singer and principal songwriter of the influential indie rock band Pavement, which got its start in Stockton, California, in 1989, Malkmus began his solo career when the group disbanded after 10 years of recording together.

A concert in Atlanta: Behzad Ranjbaran’s Concerto for Piano and Orchestra

By Kenny Crucial, 14 June 2008

World premiere of Concerto for Piano and Orchestraby Behzad Ranjbaran, performed by the Atlanta Symphony Orchestra, conducted by Robert Spano, June 5, 7 and 8

Two new “cover albums”: Shelby Lynne’s Just a Little Lovin’ and Cat Power’s Jukebox

By Hiram Lee, 18 March 2008

Country singer Shelby Lynne spent a decade in Nashville creating music for a hostile and restrictive recording industry. Between 1989 and 1999, she made several albums of country-pop essentially no different from the other various products coming out of the alleged “country music capital of the world” at that time. As Lynne told the New York Times in an interview published earlier this year, “I got to Nashville and was told what to record, what to wear.” This was not the sort of atmosphere in which a young artist could flourish.

Year Zero: Trent Reznor looks outside himself

By Peter Kloze, 26 January 2008

Objective events have a way of catching up with even the most subjective of individuals. Trent Reznor, founder and leading member of the industrial rock group Nine Inch Nails (NIN), is one of the more introspective and self-analyzing artists in modern popular music, yet, like everyone else, he is not and cannot be exempted from the force of events.

“Neon Bible” by the Arcade Fire: Where to from here?

By Graham Beverley, 19 January 2008

Sincere and developed artistic content in popular music remains a fringe phenomenon in both mainstream and ‘underground’ or independent music.

The art of Oscar Peterson: legacy of a jazz piano virtuoso

By John Andrews, 4 January 2008

Accolades poured in after the Christmas Eve announcement of Oscar Peterson’s death on December 23 from kidney failure at his home in Mississauga, a suburb of Toronto, at the age of 82.

Das Reichsorchester—The Berlin Philharmonic and the Nazis

By Verena Nees, 18 December 2007

For 60 years the role of the renowned Berlin Philharmonic Orchestra during the period of Nazi power has remained in obscurity. In Hitler’s Third Reich the orchestra was known as the “Reichsorchester” and functioned under the control of Joseph Goebbels as part of his notorious Ministry for Public Enlightenment and Propaganda.

An evening with the Cleveland Orchestra

By Alex Lantier, 12 December 2007

This writer recently had the opportunity to attend a concert of the Cleveland Orchestra, directed by guest conductor James Conlon. The orchestra, founded in 1918, has long been considered one of America’s best—an opportunity to hear them play is not to be missed, despite ticket prices.

The music of Richard Buckner

By Hiram Lee, 4 August 2007

On July 23, singer-songwriter Richard Buckner gave a remarkable performance at The Dame in Lexington, Kentucky. Buckner, who has amassed a relatively small but dedicated following over the past decade, drew a surprisingly large crowd for a concert that began late on a Monday evening and lasted until one o’clock the next morning. Joining him on the bill were Cartright, These United States and Six Parts Seven, a group performing slow, meditative instrumental music. Six Parts Seven also served as Buckner’s backing band, transforming themselves into an impressive country-rock outfit in the process.

A fresh look at Mozart—Part 2

Helmut Perl’s The Case of Mozart: Testimony about a Misunderstood Genius

By Verena Nees, 20 October 2006

This is the second of a two-part series. (SeePart 1)

A fresh look at Mozart—Part 1

Helmut Perl’s The Case of Mozart: Testimony about a Misunderstood Genius

By Verena Nees, 19 October 2006

This is the first of a two-part series.

Dixie Chicks stand their ground

Dixie Chicks: Taking the Long Way

By Tom Carter, 7 June 2006

Dixie Chicks: Taking the Long Way (2006 Sony Music Entertainment, Inc.) Produced by Rick Rubin. $17.99

Mozart turns two hundred and fifty

Part 5: The Classical period: Mozart and Haydn

By Laura Villon, 9 May 2006

The following is the conclusion of a five-part series of articles. (See Parts 1, 2, 3, 4) It contains references to numerous works of music by Mozart. We encourage readers to listen to these pieces, long samples of which are available free of charge on Together with Joseph Haydn and other Viennese musicians, Mozart developed musical forms to a height of perfection—what we now call “Classical.”

Mozart turns two hundred and fifty

Part 4: Mozart in Vienna

By Laura Villon, 8 May 2006

The following is the fourth of a five-part series of articles. (See Parts 1, 2, 3) It contains references to numerous works of music by Mozart. We encourage readers to listen to these pieces, long samples of which are available free of charge on

Mozart turns two hundred and fifty

Part 3: The Italian and German classical styles

By Laura Villon, 6 May 2006

The following is the third of a five-part series of articles. (See Parts 1, 2) It contains references to numerous works of music by Mozart. We encourage readers to listen to these pieces, long samples of which are available free of charge on

Mozart turns two hundred and fifty

Part 2: Paris and London

By Laura Villon, 5 May 2006

The following is the second of a five-part series of articles. (See Part 1) It contains references to numerous works of music by Mozart. We encourage readers to listen to these pieces, long samples of which are available free of charge on

Mozart turns two hundred and fifty

Part 1: The German Enlightenment and Amadeus

By Laura Villon, 4 May 2006

The following is the first of a five-part series of articles. It contains references to numerous works of music by Mozart. We encourage readers to listen to these pieces, long samples of which are available free of charge on

A comment on the Huddersfield Contemporary Music Festival

Part Two

By Barbara Slaughter, 23 March 2006

This is the conclusion of a two-part article. Thefirst part was posted March 22.

A comment on the Huddersfield Contemporary Music Festival

Part One

By Barbara Slaughter, 22 March 2006

Pierre Boulez was once asked about the problems of presenting contemporary music to the public. He said that people have to be educated to understand new music and that it was necessary for musicians to go out and build an audience.

Rapper Kanye West on the cover of Time: Will rap music shed its “gangster” disguise?

By Kevin Kearney, 30 September 2005

The image of Kanye West crouching down with one hand on his head—clad in designer clothes and sneakers—and the contrived facial expression of one who wishes to be considered a deep thinker adorns the cover of the August 29 issue of Time magazine. The headline of the article reads: “More GQ than gangsta, Kanye West is challenging the way rap thinks about race and class—and striking a chord with fans of all stripes.”

“The Massacre” by 50 Cent sells 4 million copies: Why does social backwardness achieve such success?

By Kevin Kearney, 9 September 2005

This is the second article in a two-part series, the first part was published on 8 September 2005.

“The Massacre” by 50 Cent sells 4 million copies: Why does social backwardness achieve such success? Part 1

By Kevin Kearney, 8 September 2005

This is the first article in a two-part series

Eminem’s new release, Encore: delusions, megalomania and social confusion

By Marc Wells, 21 April 2005

Multiple Grammy Award winner Marshall Bruce Mathers III, better known as Eminem (from his initials M&M), is currently one of the top-selling music artists in the world. The rapper’s lyrics have been the subject of much controversy and criticism, from right-wing Christian fundamentalist groups as well as the liberal media, and as such they deserve closer attention.

Fredric Rzewski’s The People United Will Never Be Defeated

At Venice’s Teatro Fondamenta Nuove

By David Adelaide, 19 January 2005

At Venice’s Teatro Fondamenta Nuove on January 13, composer and pianist Fredric Rzewski gave a remarkable performance of his composition, The People United Will Never Be Defeated. Rzewski’s work is a set of 36 variations, spanning 50 minutes, on Chilean composer Sergio Ortega’s El Pueblo Unido Jamás Será Vencido—the song most closely associated with the resistance of the Chilean working class to the 1973 coup that installed the 17-year military dictatorship of General Augusto Pinochet.

Outkast: a case study in social misleading

By Marc Wells, 1 July 2004

The phenomenon of hip-hop and its musical incarnation in rap have had considerable success and reached wide audiences across the world. This has come principally on the basis of a combination of sophisticated rhythm arrangements and the use of words spoken by young and often talented artists generally, but not solely, influenced by a musical tradition that includes funk, rhythm & blues, soul music, jazz, reggae and—often—rock & roll.

The rediscovered music of Erwin Schulhoff

By Fred Mazelis, 11 May 2004

On a recent weekend in New York, three concerts were devoted solely to the music of one little-known twentieth-century composer, Erwin Schulhoff. Schulhoff, a German-speaking Czech Jew, was born in Prague in 1894 and died of tuberculosis in a Nazi concentration camp in 1942.

Britain: Bob Copper, foremost traditional singer dies

By Paul Bond, 24 April 2004

Bob Copper, who has died at age 89, was the most important English traditional folksinger of the twentieth century. He was a hugely accomplished musical performer of the songs that had been passed down through his family. Just as importantly, his love and enthusiasm for these songs (at a time when the environment in which they had been sung was changing rapidly) became a key factor in their transmission to subsequent generations of singers.

An appreciation of Warren Zevon

Grammys give belated recognition to an enigmatic pop musician

By K. Reed, 7 February 2004

The 46th Annual Grammy Awards will take place Sunday, February 8, at the Staples Center in Los Angeles. The event—like the Academy Awards for motion pictures—is a ceremony of the National Academy of Recording Arts and Sciences in which artists and technicians are recognized by their peers for their work over the previous year. This year’s ceremony will present Grammys in 105 categories and be broadcast by CBS to a potential television audience of 650 million people.

British poet rejects Order of the British Empire award

By Paul Bond, 5 December 2003

When the British state offers a citizen an honour, the acceptance or rejection of that honour is intended to be a private matter between the state and the individual. This prevents any embarrassment to the state if the intended recipient turns it down.

A reply to “Sylvia Plath is hardly present: a review of Sylvia, directed by Christine Jeffs”

4 December 2003

To the editor:

A human sound of the world

The Hour of Two Lights, an album by Terry Hall and Mushtaq

By Paul Bond, 2 September 2003

The Hour of Two Lights, an album by Terry Hall and Mushtaq (Honest Jons Records)

A review of music from the motion picture The Pianist

By Dorian Griscom, 1 August 2003

The Warsaw Philharmonic National Orchestra of Poland; Hanna Wolczedska, clarinet; Janusz Olejniczak, piano; Wladyslaw Szpilman, piano; Tadeusz Strugala, conductor.

The work of British composer Mark Anthony Turnage

By Barbara Slaughter, 15 July 2003

Every year BBC Radio 3 presents a weekend of performances by the BBC Symphony Orchestra and Chorus at the Barbican Centre in London to celebrate the work of a particular composer. In recent years, Kurt Weill (1990-1950) and John Adams (1947-) have been featured. This year the BBC’s choice was the British composer, Mark Anthony Turnage. Seventeen of his works were performed, included choral and orchestral music, chamber works, two operas and a song cycle, as well as four film scores.

Thirty years down the road

Bruce Springsteen and the E Street Band at Manchester, England

By Robert Stevens, 18 June 2003

US singer-songwriter Bruce Springsteen and the E Street Band are currently on the European leg of their world tour following the release of their latest album, The Rising. The album and the tour mark a “return to form” and importantly mark the reuniting of Springsteen and the E Street Band following an 18-year hiatus.

Beyond the roots of American popular music

Examining the legacy of Alan Lomax

By James Brewer, 13 June 2003

At its 45th annual award ceremony earlier this year, the Recording Academy’s National Trustees, the body behind the Grammy Awards, posthumously bestowed a “Trustees Award” on Alan Lomax, America’s most widely renowned folklorist and ethnomusicologist, who died last July at the age of 87. His daughter, Anna Lomax Chairetakis, received the award on his behalf. Her acceptance speech eloquently distilled her father’s life: “Alan wore many hats—musical anthropologist, writer, preservationist, recording engineer, artist manager/publisher, musical arranger, radio producer, advocate, promoter, innovative thinker—and he wore them all in one cause. Essentially, he believed that the main sources of music, dance, poetry and fantasy spring from the people who confront life’s joys and cruelties first hand, in the raw, with little padding and few defenses. He found out that the beautiful in music is honed over long eras, and is nurtured by the local and the particular; that it swims in the many big cultural streams of earth, and thrives within their multitudinous, juicy variants and amalgamations.”

Impassive resistance: Protest songs for today

By Mike McHone, 23 April 2003

“I cannot be a vegetarian just between meals”—Nanci Griffith, folk artist

Tilt by Scott Walker: A remarkable album by a serious musician

By Tony Cornwell, 4 June 2002

Corporate mergers in television, radio and record industries have resulted in the coordination of “play lists” around demographics. “Pop” or “Popular” music therefore has become overwhelmingly self-referential, genre specific and backwards looking.

Charlie Musselwhite—Music true to real life

A review of bluesman's new CD: "One Night In America"

By James Brewer, 7 March 2002

One can be forgiven for being a bit suspicious nowadays when the word “America” appears in the title of any musical piece or recording. The American population is being barraged with mind-numbing patriotic drivel which represents nothing, artistically speaking, of value.

"Strange Fruit": the story of a song

By Peter Daniels, 8 February 2002

Southern trees bear a strange fruit, Blood on the leaves and blood at the root, Black body swinging in the Southern breeze, Strange fruit hanging from the poplar trees.

One critic’s picks for best jazz and blues recordings of 2001

By Michael G. Nastos, 28 December 2001

The following list of jazz and blues recordings for 2001 has been submitted to the WSWS by Michael G. Nastos, who hosts “Evening Jazz & Blues” weeknights on WEMU-FM, 89.1, in Ypsilanti, Michigan as he has for 23 of his more than 30 years in radio. Nastos has written for the Alchemist, the All Music Guide, the Ann Arbor News, Arts Midwest, the Blues Review, Cadence, Coda, Detroit Jazz, Downbeat, Jazz Journal International, Jazz Times, the Metro Times and Swing Journal magazines and the SEMJA (Southeastern Michigan Jazz Association) Update. He is past Jazz Chair of the Michigan Council of Arts and Cultural Affairs, and edited author Robert Sweet’s Music Universe, Music Mind: A History Of The Creative Music Studio.

Joe Henderson: Another jazz great dies

By Philip Sprake, 9 August 2001

Jazz saxophonist Joe Henderson, who died on June 30 after a long battle with emphysema, has been described by one music writer as the “supreme melodist”. A fellow musician referred to him as a “musical astronaut” following the 25-year-old’s impromptu performance in 1962 at New York’s Birdland—a concert which also left a deep impression on bebop veteran Dexter Gordon. Notwithstanding these accolades Henderson was an unassuming man, a quiet achiever, who in an era dominated by giants of the saxophone, John Coltrane and Sonny Rollins, worked hard to become one of the great tenor saxophone improvisers of the modern jazz era.

The passing of a blues legend: John Lee Hooker

By Philip Sprake, 29 June 2001

John Lee Hooker, the gifted, charismatic blues guitar player and singer, died in his sleep at his home in Los Altos, California, aged 80, on June 21.

Jazz drummer Billy Higgins dies

By John Andrews, 5 May 2001

The ebullient Billy Higgins, the most recorded jazz drummer of the last 50 years, died Thursday in the Los Angeles suburb of Inglewood after a protracted battle with liver disease. He was 64.

In praise of classical guitarists Alexandre Lagoya and Ida Presti

By Tony Cornwell, 17 February 2001

Alexandre Lagoya (1929-1999) and Ida Presti (1924-1967) formed the greatest classical guitar duet in the world to date. This was not simply due to their technical excellence, but their subtlety and force in emotional expression. They also transcribed music for the instrument from many sources, most notably the harpsichord, violin and piano.

Kirsty MacColl: a life in song

By Liz Smith, 11 January 2001

British singer-songwriter Kirsty MacColl was tragically killed by a speedboat on December 18, 2000, while on holiday in Mexico with her two sons. She leaves a musical legacy stretching over 23 years. Many will remember her for the Christmas duet Fairytale of New York she sang with Shane McGowan of the Pogues in 1987. To the tens of thousands of fans she built up around the world, she will be best remembered for her acerbic wit and treatment of everyday occurrences and feelings in a brutally honest but sensitive way.

One critic's picks for top jazz and blues albums of 2000

By Michael G. Nastos, 29 December 2000

Michael G. Nastos hosts “Evening Jazz & Blues” weeknights on WEMU-FM, 89.1, in Ypsilanti, Michigan, as he has for 22 of his 30 years in radio. He has written for the Alchemist , the All Music Guide , the Ann Arbor News , Arts Midwest , the Blues Review , Cadence , Coda , Detroit Jazz , Downbeat , Jazz Journal International , Jazz Times , the Metro Times , and Swing Journal magazines and the SEMJA (Southeastern Michigan Jazz Association) Update . He is past Jazz Chair of the Michigan Council of Arts & Cultural Affairs, and edited Robert Sweet's Music Universe—Music Mind: A History of the Creative Music Studio .

Music review

McCoy Tyner with Stanley Clarke and Al Foster —piano trio in the spirit of Coltrane

By Philip Sprake, 1 November 2000

John Coltrane, the masterful jazz saxophonist, gathered around him some wonderfully talented musicians between 1960 and 1965, his most creative period. Elvin Jones on drums, Jimmy Garrison on bass and pianist McCoy Tyner made up what was arguably his greatest quartet, producing such classic albums as Impressions, Crescent and A Love Supreme.

Listening to Brian Wilson

By David Walsh, 1 September 2000

Brian Wilson, once the leading figure of the Beach Boys, the American popular music group, is on tour this summer in the US. The center-piece of each concert is a performance by Wilson, his ten-piece band and a full-scale symphony orchestra of the music from the 1966 album, Pet Sounds.

Australian poet Judith Wright (1915-2000): an appreciation

By Tony Cornwell, 31 August 2000

Judith Wright, a respected Australian poet and writer on poetry and latterly better known as a conservationist and campaigner for aboriginal rights, died in hospital in Canberra on June 26 at the age of 85. Her achievement in translating the Australian experience into poetry led in her best work to a rich inheritance of lyricism and directness.

Extraordinary solo cello performance of Bach's Suites in Australia

By Adrian Falk, 22 June 2000

Pieter Wispelwey, the 37-year-old Dutch cellist, performed all six Suites for solo cello by J.S. Bach at the new City Recital Hall in Sydney on June 10. While the Bach Suites are not technically difficult by modern standards of cello playing, the performance of all six in one concert constitutes a major undertaking, not only of stamina, but deeply informed musical intelligence.

Tito Puente dead at 77

The soul of Latin music dies

By Helen Halyard, 10 June 2000

Tito Puente, best known for popularizing Latin dance music and jazz in the United States for the past half-century, passed away on May 30 in New York City. He was 77 years old and died following heart surgery to correct a faulty valve.

Ian Dury (1942-2000): a poet of the spoken word

By Chris Marsden, 11 April 2000

Last week, family and friends said farewell to singer-songwriter Ian Dury during a humanist service held at Golders Green in North London. Dury died from colon cancer on March 27 at his home in Hampstead. Annette Furley, who led the service, said of Ian, “He was one of the few original personalities in the music business. He used to write music that made you want to dance and also made you laugh.”

Music Review: The Melody At Night, With You by Keith Jarrett (ECM 1675)

Piano variations from the American songbook

By Philip Sprake, 30 March 2000

In contemporary jazz it is sometimes difficult, at least for novices, to recognise the difference between a technically proficient musician and a truly great one. The Melody At Night, With You, a collection of rich piano solos released on CD late last year by jazz pianist Keith Jarrett, is an unambiguous demonstration of great jazz musicianship and further proof that he is one of the more significant jazz pianists to emerge since the 1960s.

Curtis Mayfield dies:

A modest man of great musical talent and sensitivity

By Richard Phillips, 24 January 2000

The death of 57-year-old Curtis Mayfield last December 26, after several years of failing health, marks the passing of one of the most talented gospel-influenced rhythm and blues singer/songwriters and producers to emerge in the early 1960s. A devoted family man, Curtis Mayfield is survived by Altheida, his second wife, two sons, eight daughters and seven grandchildren.